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Rocky Burnette - "Tired of Toein' the Line".Lulu - "I Could Never Miss You More Than I Do".Steel Breeze - "You Don't Want Me Anymore".Chris DeBurgh - "Don't Pay the Ferryman".You wouldn't expect any less from Quincy Jones. It's a great song that features a crisp, timeless production quality. Rather than focus on its meaning, I'm just going to listen to it instead. Some sources say it's Spanish, while others claim it's the original working title of a 1976 Japanese film called Realm of the Senses.
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There's some confusion about the translation of the song's title. However, the song won a Grammy for them in '82 after Quincy Jones tackled it. Jankel made the original recording, but it wasn't a hit anywhere. Instead, ex-Ian Dury & the Blockheads keyboardist Chaz Jankel wrote it with American expatriate Kenny Yong (writer of the 1964 Drifters hit "Under the Boardwalk"). However, Quincy Jones didn't write "Ai No Corrida" or any of the other songs featured on his LP The Dude. His pull is so strong that when he decides to record a song under his own name, the studio session can become an all-star event. He's done stuff many fans recognize (the Thriller LP, the soundtrack to Roots, Leslie Gore's #1 hit "It's My Party") and some stuff that many may not even realize he did (the theme to Sanford & Son, the song "Soul Bossa Nova," used at the beginning of all three Austin Powers movies). Quincy Jones is well known as a songwriter, producer and arranger. (Debuted April 11, 1981, Peaked #28, 12 Weeks on the Chart)